Forms of
inheritance
Ceramic works by Georgina Yen Qin Lee exploring identity, migration and cultural memory.
Forms of
Selected Works
Recent pieces and ongoing series of works.
Qinghua I, 2022
It's Not Just Blue, Craft Victoria
It's Not Just Blue, Craft Victoria
Qinghua I, 2022
It's Not Just Blue, Craft Victoria
It's Not Just Blue, Craft Victoria
Celestial Embrace, 2023
Modern Times
Modern Times
Celestial Embrace, 2023
Modern Times
Modern Times
She'll Be Right, 2022
EMERGE, Brunswick Street Gallery
EMERGE, Brunswick Street Gallery
She'll Be Right, 2022
EMERGE, Brunswick Street Gallery
EMERGE, Brunswick Street Gallery
Silk Road Splendour
The Vessel Project, Craft Victoria
The Vessel Project, Craft Victoria
Silk Road Splendour
The Vessel Project, Craft Victoria
The Vessel Project, Craft Victoria
Eternal Return
Commission, Modern Times
Commission, Modern Times
Eternal Return
Commission, Modern Times
Commission, Modern Times
All My Friends Are White, 2021
1000 Vases, Paris Design Week
1000 Vases, Paris Design Week
All My Friends Are White, 2021
1000 Vases, Paris Design Week
1000 Vases, Paris Design Week
From Studio to Table
The same questions that shape my sculptures guide Dynasty, my tableware line. Form, lineage and heritage resolved for the table.
Dynasty—tableware by Yen Qin x Luzerne
Exhibitions & Press
About Yen Qin
About the artist
Yen Qin 燕琴 is the ceramic practice of Georgina Yen Qin Lee, a ceramic artist based in Naarm (Melbourne) Australia.
Her work navigates identity, migration, and cultural inheritance to reconnect with fragmented histories, reimagining functional forms as vessels of memory that speak across time, generations and geographies.
Georgina splits her time between her fine art ceramic practice and her tableware collection, Dynasty.
Studio Notes
Occasional notes from the studio — process, works in progress and openings. No spam and 10% off your next order.